
SCENE 01 / POST-PRODUCTION
Post-Production & Editing Services Saudi Arabia
We turn raw footage into finished, broadcast-ready content. Our post-production team brings exact tech skills and strong creative leadership. We serve film, television, and digital media work.
Finishing with Excellence
Comprehensive Post-Production Services
From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.
Editorial Excellence
Our editors work in Avid and Premiere. They have cut for global distribution firms. They shape Canal+ and Saudi Arabia Télévisions video into tight narrative pieces.
Visual Finishing
Our Riyadh facilities staff DaVinci colorists and Nuke compositors. They work in HDR and ACES. They deliver to broadcast-compliant specs.
Audio Perfection
Our facility runs Dolby-certified mixing stages, Foley rooms, and ADR booths. We make audio for cinema, streaming, and broadcast platforms.
Service Catalog
Our Post-Production Services
Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.
Editing & Assembly
Linked ServicesVideo Editing
Our editing team brings Premiere Pro and Avid pros. They have cut commercials, documentaries, and feature films. We work from first assembly to final picture lock.
Rough Cut to Final Cut
Our editorial process folds in director notes and revision rounds. We lock timelines that are ready for finishing.
Narrative & Documentary
We turn interview recordings, B-roll footage, and scripted content into story. Our editors use story-led cutting methods.
Multi-Cam Sync
We line up camera angles from concerts, panels, and live events. Then we cut them into one clean video edit.
Interview & Dialogue
We trim pauses and smooth jump cuts. We pull the best selects from long interview recordings.
Color & Visual Finishing
Linked ServicesColor Correction
We match your shots and hold exposure and white point steady. This matters when footage comes from mixed lighting and camera systems.
Color Grading
Our colorists work in DaVinci Resolve and Baselight. They build cinematic color looks. These range from film-like tones to bright commercial palettes.
Online Conform & QC
We fold in final VFX and run automated QC checks. This gives you broadcast-compliant delivery.
Look Development
We create pre-production LUTs and style references. They show your final look right on on-set monitors.
Motion & VFX
Linked ServicesMotion Graphics
Our artists work in After Effects and Cinema 4D. They build lower thirds, animated sequences, and infographics. These air on television and appear online.
VFX Compositing
Our compositors work in Nuke and Fusion. They blend green screen plates, set extensions, and unseen fixes. The result is seamless live-action visual effects.
CGI & 3D Animation
Our artists work in Maya and Houdini. They build photoreal environments, character animation, and product shots. We do this for commercial and film work.
Title Design
We design main titles, end crawls, and built-in credit sequences. They match your project's tone and brand guidelines.
Matte Painting
Our artists pair Photoshop with 3D tools. They build environments, swap sky backgrounds, and extend sets. We start from your recorded live-action scenes.
Rotoscoping
We hand-trace mattes frame by frame. This lets us remove actors and stray elements for complex composites.
Audio Post
Linked ServicesSound Design
We create sonic moods, impacts, and textures. They back your story's emotional beats and pacing.
Foley Recording
Our Riyadh Foley team records every on-screen sound. That means footsteps, cloth moves, and prop noises. Each one tracks the action on screen.
Dialogue & ADR
We clean up production audio and replace dialogue. We record Saudi and English lip-sync takes.
Music & Scoring
We commission new scores from Saudi composers. We also handle library music and sync licensing.
Mixing & Mastering
We mix in Pro Tools on Dolby-certified stages. Every mix meets broadcast-compliant loudness specs.
Immersive Audio
We deliver Dolby Atmos mixes plus 5.1 and 7.1 formats. These suit theatrical, streaming, and broadcast delivery. We place each object and bed with care.
Audio Restoration
We use iZotope and Cedar to clean your audio. They strip hum, wind, traffic, and noise from location recordings.
Delivery & Output
Linked ServicesDCP Creation
We build digital cinema packages with encryption and KDMs. We test ingest for Saudi and global theater operations.
Broadcast Delivery
We deliver masters that meet Saudi Arabia Télévisions, Canal+, and EBU R128 specs. Each one ships with full QC reports.
Streaming Platforms
We deliver to Netflix, Amazon, Disney+, and Apple TV+. Each master meets that platform's own tech specs.
Archival & Preservation
We store LTO tape archives and checksummed backups. We build preservation masters that keep your assets safe for years.
Format Conversion
We transcode between ProRes, DNxHD, H.264/265, and legacy formats. We also change frame rate and resolution as needed.
Why Fixers in Saudi Arabia
Why Choose Us for Post-Production
Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.
01.
Industry Standards
Our workflows are broadcast-compliant. They meet Netflix, BBC, and other major platform specs.
02.
Fast Turnaround
We offer rushed delivery with 24/7 support. This suits tight deadlines and urgent projects.
03.
Creative Partnership
We partner with directors and producers. We work side by side to realize your vision.
04.
End-to-End Service
We run the full post-production pipeline. It spans ingest to final delivery under one roof.
On Location
Post-Production Editorial and Finishing Services
Raw footage shot across Saudi Arabia's many settings holds huge look value. But that value rests fully on the edit suite and the colour room. Our post-prod team delivers tight edits and a final look. We do this for film, television, documentary, and digital work from Saudi shoots. Some footage is shot at dawn in AlUla. Some comes from the neon of Riyadh's commercial zones. Our workflow handles mixed colour, formats, and delivery needs without delay.
Riyadh editors and colourists on calibrated, reference-grade suites — every spec from MBC broadcast master to Netflix IMF, finished cleanly.
The work starts with Editing & Assembly. Our editors move from rough cut to final cut. They tend to pacing and story flow with care. For projects that need a set look, we run Color Correction and Color Grading. We lock tech specs first. Then we build the creative look that backs tone and genre. Multi-Cam Sync keeps broadcast and live cuts ordered and cut-ready. Interview & Dialogue editing gives corporate and documentary work the clarity TV networks and streaming sites need.
FAQs
Post-Production FAQs
Answers about timelines, deliverables, and how we handle your post-production needs.
What's included in post-production services?
The process runs from dailies all the way to final delivery. We edit offline in Avid or Premiere first. Then we move to online conform for VFX. DaVinci color sessions come next. Pro Tools handles sound editorial, with Foley and ADR when needed. We finish with a final mix on a calibrated stage. We handle every tech handoff, so you never juggle separate vendors. Deliverables come QC'd to spec. That could be a Netflix IMF, a Saudi Arabia Télévisions broadcast master, or encrypted DCPs for theatrical.
How long does post-production typically take?
It depends on the project. Commercials run 2-3 weeks from offline lock to final delivery. Documentaries take eight to twelve weeks. That span hinges on archive clearance and interview transcription. Projects with heavy visual effects need 16–24 weeks. Dialogue-driven work moves faster. We have done rush turnarounds when festival deadlines loom. But those cost more and burn people out. It is better to build real schedules from the start.
Do you handle international deliverables?
We handle them every day. Each streaming site has its own tech specs. Netflix needs IMF packages with set audio channel layouts. Amazon runs its own quality review. Apple TV+ needs Dolby Vision support. We stay current on all of them. For broadcast, we deliver to EBU R128 loudness standards. Saudi and European channels both require them. For Cinema DCPs, we test on theater servers before we ship.
Can you match existing looks or brand guidelines?
Our colorists work from LUTs, CDLs, and reference stills. They match seasons, keep brands steady, and copy a director's reference look. Our suites use calibrated monitors. They give true viewing conditions, so you sign off on a real theater look. For series work, we build show LUTs. They hold steady across episodes and seasons.
What formats can you work with?
We take all the current formats. That means ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, and ProRes in all flavors. We also handle legacy formats when archive material enters the cut. That includes digibeta, HDCAM SR, and even film scans. Our Riyadh facilities keep modern gear and the older decks too.
On Set
Ready to Finish Your Project?
Tell us about your project. We deliver broadcast-ready masters on time and on budget.