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Dammam Coast - filming location in Saudi Arabia

SCENE 01 / COLOR CORRECTION

Color Correction in Saudi Arabia

Professional color correction services ensuring technical accuracy and visual consistency across your entire production.

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Color fix is the tech step that balances your footage. It sets steady exposure, white balance, and tonal range across all shots. This base step fixes gaps from shifting light, mixed cameras, or varied shoot sites across the production.

We link you with colorists and grading suites for your project. They deliver pro color fix. Our team sets up media prep, books the sessions, and runs quality checks. Your footage gets steady, tech-true color. That forms a solid base for creative grading.

Capabilities

Professional Color Correction Services

Technical precision and visual consistency that establishes the foundation for exceptional post-production results.

01

Technical Accuracy

Precise color balance and exposure optimization ensuring professional broadcast standards.

Foundation

02

Shot Matching

Seamless continuity across all scenes, angles, and multi-camera setups.

Consistency

03

Broadcast Standards

Full compliance with technical delivery specifications for all platforms.

Compliance

04

Multi-Platform

Optimized color for cinema, broadcast, streaming, and mobile delivery.

Versatility

Technical Services

Workflow & Standards

Our Color Correction Process

We follow a systematic approach to color correction that ensures technical excellence and visual consistency across your entire project.

1

Technical Assessment

We study your footage and spot color issues. Then we rank fixes for each scene and shot.

2

Primary Correction

We balance exposure and clear color casts. We set a steady baseline across your whole project.

3

Shot Matching

We match scenes so they flow smoothly. Precise second-pass fixes align shots, scenes, and camera sources.

4

QC & Delivery

We check broadcast rules and run tech QC. Then we deliver fixed masters in the formats you need.

Why Us

Why Choose Our Color Correction

01.

Technical Precision

Accurate color science and careful attention to detail in each frame.

02.

Calibrated Systems

Pro-grade tracking and color-accurate grading environments.

03.

Efficient Workflow

Streamlined processes for quick turnaround without compromising quality.

04.

Global Standards

Meeting global broadcast and cinema specs worldwide.

On Location

DaVinci Resolve color correction across MBC Studios Riyadh, Telfaz11, and Pixomondo Riyadh — Rec.709 broadcast normalisation for MBC and Saudi Broadcasting Corporation, P3 D65 cinema for AMC and RSIFF, ACES pipelines for Netflix MENA and Amazon Prime Video Arabia.

We book color fix sessions on DaVinci Resolve Studio at MBC Studios Riyadh, Telfaz11's grading suite, Pixomondo Riyadh, Big Time Studios Riyadh, and Spider Eye Studios. Resolve is the top tool across Saudi facilities. Baselight FilmLight sits in premium MBC and Image Production House Dubai rooms. Colorists handle ARRIRAW (Alexa 35, Alexa Mini LF — the go-to cameras for AlUla features), RED R3D, Sony Venice, Blackmagic 12K, and Canon Cinema RAW from typical Saudi camera packages. They even out shot-to-shot shifts across long desert magic-hour days, where the sun moves fast over Hegra and Sharaan rock formations. ACES color pipelines are standard on global shoots wrapping at AlUla and NEOM XR Lab. Each camera gets an IDT setup, and each output target gets an ODT delivery (Rec.709 broadcast, P3 D65 cinema, Rec.2020 PQ for Dolby Vision HDR, Rec.2020 HLG for broadcast HDR). Reference monitors are the Sony BVM-HX310 and Flanders Scientific XM310K for 1000-nit HDR key work.

Saudi Arabia's correction work has grown fast since the 2018 cinema reopening. The Red Sea International Film Festival (RSIFF, since 2021) and the Saudi Film Festival Dhahran at Ithra King Abdulaziz Center for World Culture drive cinema-grade deliverables. We correct DCI-P3 theatrical releases for AMC Saudi Arabia, VOX Cinemas, Muvi Cinemas, and Empire Cinemas. We cut AS-11 broadcast deliverables for MBC, Al Arabiya, and Saudi Broadcasting Corporation. We build IMF wraps for Shahid VIP originals, StarzPlay Arabia, OSN+, Netflix MENA, Amazon Prime Video Arabia, Apple TV+ Arabic, and Disney+ MENA. CST broadcast spec compliance is checked at QC. GCAM type (G, PG, PG12, PG15, R15, R18) at times needs alternate color cuts. There, censored frames are swapped out, not blurred. Global features shot at AlUla. These include Kandahar (2023), Desert Warrior (2024), Cherry, and Hellraiser plates. They mostly finish overseas at ARRI Rental, Firm 3, or Goldcrest. But we deliver clean LMT and CDL exchange data. We price at SAR 3.75:1 USD, add 15% VAT, and run a Sunday-Thursday workweek.

FAQ

Frequently Asked Questions

What's the difference between color correction and color grading?

Color fix is the tech step. It balances exposure, clears color casts, and keeps shots steady. Grading is the creative step that comes after. There we build set looks and styles. We do the fix first. That sets a clean base before we apply creative grades.

Can you match footage from different cameras?

Yes. We match footage from many camera systems with different color science. You might mix ARRI, RED, Sony, or Canon footage. We balance each source. Scenes then match smoothly across your whole project.

How do you ensure broadcast compliance?

We use pro scopes (waveform, vectorscope, histogram) and auto QC tools. They check that all footage meets broadcast-safe levels for your target platform. This covers luminance, chrominance, and gamut for specs like EBU R128, SMPTE, and each platform's needs.

What formats and resolutions do you support?

We handle all pro formats. These include ARRIRAW, RED R3D, Sony RAW, ProRes, DNxHD, and more, in sizes from HD through 8K. Our color-managed pipeline keeps color true no matter the source format or delivery spec.

Productions in Saudi Arabia that need this often pair it with Color Grading Services, Look Development Services, and Online Conform & QC Services for full coverage. Most projects also draw on Audio Post-Production Services and Title Design & Credits Services.

On Set

Ready for Professional Color Correction?

Let's ensure your footage looks its absolute best with expert color correction.