SCENE 01 / COMMUNICATION SYSTEMS
Communication Systems in Saudi Arabia
Professional on-set communication equipment keeping your production coordinated and running smoothly.
Here is how this works in practice. Production comms kit keep departments set up across sets, stages, and remote locations. Pro intercom systems, walkie-talkies, and wireless comms networks enable real-time planning between directors, assistant directors, camera, sound, and production management across the shooting day.
Here is the short of it. We give and configure comms kit packages scaled to your production's crew size and location complexity. Our team handles channel planning, gear distribution, and tech setup so your departments can communicate reliably from the first call to wrap each day.
Capabilities
Complete Communication Solutions
From basic walkie-talkies to full broadcast intercom systems, we provide communication equipment that keeps every department connected and coordinated.
01
Two-Way Radios
- Motorola digital systems
- Multi-channel radios
- Long-range units
- Waterproof handsets
- Repeater systems
Reliable Coverage
02
Headset Systems
- Production headsets
- Surveillance earpieces
- Noise-cancelling units
- Boom operator comms
- Director headsets
Hands-Free Comms
03
Intercom Systems
- Clear-Com systems
- Riedel artist series
- Wireless beltpacks
- Base stations
- Camera talkback
Pro Intercom
04
Specialty Comms
- IFB systems
- Video village feeds
- Multi-zone coordination
- Stunt coordination systems
- Crowd control comms
Specialized Solutions
On Location
Production comms packages from STC, Motorola fleets via MBC Studios, and CST-licensed wireless frequencies coordinated across Riyadh, Jeddah, NEOM, and AlUla.
We set up Saudi production communications around the CST regulatory backbone. CST (Communications, Space and Technology Commission) licenses each wireless frequency used on set.
The licensed kit spans the standard set. Lectrosonics Duet IFB feeds and Wisycom MTP60 belt packs handle on-set comms. Encrypted Motorola DP4801e fleets cover Riyadh, Jeddah, AlUla, and NEOM walkie traffic.
Here is how this works in practice. Our team submits short-term production frequency applications through CST. That runs in parallel with GACA approvals (needed when shoots cross AlUla airspace via RCU clearance, or NEOM independent jurisdiction). SIM provisioning routes through STC (Saudi Telecom Company), Mobily, or Zain, based on which carrier holds the strongest 5G footprint at the location.
Here is the short of it. Several studios run in-house Motorola repeater infrastructure that we patch into. The list has MBC Studios in Riyadh and Jeddah, Telfaz11, and NEOM Bajdah Studios. We cross-source overflow walkie pools from Filmquip Dubai or Picture Works Dubai via the 12-hour E11 highway corridor when the unit scales past 80 handsets.
Saudi shoots live on radio. Wadjda, Kandahar, and Desert Warrior all ran multi-unit Motorola fleets through the Empty Quarter and AlUla wadis where mobile coverage drops to nothing.
Our coordinators design coverage maps using portable repeaters. DR3000 units mount on Toyota Land Cruisers when a shoot crosses the Hisma Plateau or pushes north into Tabuk province.
Here is the breakdown. We brief crews on the Arabic-first radio etiquette that dominates Saudi sets. Najdi and Hejazi dialect channels cover grip and lighting. English channels cover global department heads. Separate Urdu and Filipino lanes serve the driver and rigging community when they need direct comms.
Channel briefings build in prayer-time pauses (Fajr, Dhuhr, Asr, Maghrib, Isha). That way the call sheet rhythm carries through the comms plan. Clear-Com FreeSpeak II and Riedel Bolero packages for video village arrive prepped through MBC's broadcast division. Telos and Comrex codec links bridge back to Riyadh post houses when a remote producer needs live feeds from AlUla or NEOM.
FAQ
Production Communication Expertise
What communication systems do you provide?
Here is the breakdown. We supply full communication solutions including two-way radios (Motorola digital and analog), production headsets, Clear-Com and Riedel intercom systems, IFB feeds for talent, and specialty planning systems. Gear ranges from basic walkie-talkies to full broadcast intercom installations.
How many radios do I need for my production?
Radio needs depend on crew size and production complexity. Typical feature shoots need 30-80 radios covering all departments. We help check your needs and recommend appropriate quantities with backup units. We can add gear as needed during production.
Can you provide coverage in remote locations?
Yes, we design systems for challenging locations using repeaters, long-range gear, and multi-site planning. We survey locations in advance when possible to identify coverage challenges and deploy appropriate solutions.
Do you handle frequency licensing in Saudi Arabia?
We set up all frequency licensing needs with Saudi authorities (ANFR). This has short-term production licenses, frequency planning, and compliance records. Lead time differs by location and range availability.
What about intercom systems for video village?
We give full video village communication including director-to-set comms, camera talkback, script supervisor links, and department planning. Systems can integrate with wireless video for full tracking and communication.
How do you handle equipment for multiple units?
For multi-unit shoots, we design set up communication plans with separate channels per unit, shared frequencies for key staff, and cross-unit planning skills. Each unit receives full gear packages.
Related Services
Productions in Saudi Arabia that need this often pair it with Lighting Equipment Rental, Data Management Systems, and Monitoring Equipment Rental for full coverage. Most projects also draw on Wireless Microphone Systems and Monitor & Video Village.
On Set
Need Production Comms?
Tell us about your production and we'll design a communication solution that keeps everyone connected.